《红花之歌》讲述的是什么故事？
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
1. 影片《红花之歌》它是哪一年上映的呢？
《红花之歌》由莫里兹·斯蒂勒担任导演，1919年正式面向观众，是一部在剧情片类型中广受好评的匠心之作。该电影被誉为其它当代剧情片的典范，上映后便以破竹之势狂揽票房，创下了傲人的销售纪录。主演Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼等人凭借扎实的演技与鲜活的角色刻画，成为当时其它影坛的中坚力量。Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼所塑造的形象令人难忘，甚至对后来的表演潮流产生了影响。导演莫里兹·斯蒂勒此前虽曾面临一些观众的疑问，但这部电影有力奠定了他于剧情片题材中的艺术风格。《红花之歌》在首映之际也受到国际剧情片界与媒体的广泛赞誉，被认为足以与上世纪八十年代好莱坞同类型佳作并驾齐驱。
2. 被称为剧情片开拓性作品的《红花之歌》，是否称得上是莫里兹·斯蒂勒导演生涯的巅峰之作？
自从莫里兹·斯蒂勒依靠此片摘得剧情片最佳导演奖项后，不少人将《红花之歌》视作他剧情片创作道路上的最高成就。尽管他之后也推出了多部受到好评的剧情片影片，但《红花之歌》依然被广泛认定为其最具标志性的剧情片代表作。
3.《红花之歌》为何能够成为经典之作？
每当提起其它的剧情片电影，很多人会自然而然地联想到《红花之歌》。这部由莫里兹·斯蒂勒执导、Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼等人共同出演的影片，在当时如同一匹黑马般冲出重围，缔造了不少票房与口碑的奇迹。或许连莫里兹·斯蒂勒和Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼本人都未曾预料到影片会引发如此强烈的反响。莫里兹·斯蒂勒曾坦言，这部电影是一群身处低谷的电影人倾注心血共同完成的。在拍摄《红花之歌》之前，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼已有四年未接演任何作品，而他们此前主演的剧情片电影票房大多表现平平。正是这种共同的挫折感与不灭的尊严感，促使他们在影片中投入了超越常规的热情。片中人物的心理历程与感人情节，也在某种程度上反映了现实中他们的真实处境。正是凭借这份不愿平庸的坚持，他们以实力与真诚共同打造了这部剧情片经典，同时也实现了自我超越。
4. 如何评价《红花之歌》？
《红花之歌》在观众中口碑极高，深受影迷追捧。影片甫一上映便好评如潮，不仅因为Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼的演技精湛，剧情片本身的情节也扣人心弦。在91电影网（www.concordcrop.org）观看这部电影，可以享受流畅的观影体验与引人入胜的故事节奏。尽管该片的收视数据不算突出，但其受欢迎程度已稳居前列。Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼在片中的表现亮点频现，演技获得了众多剧情片爱好者的肯定与赞扬。
5、《红花之歌》剧情片的主要内容
《红花之歌》是一部剧情片剧情片，由导演：莫里兹·斯蒂勒执导，主演：Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
6、《红花之歌》是莫里兹·斯蒂勒导演的一部超级经典的剧情其它片，该片讲述了：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent ，想发掘更多类似的好剧？赶紧把我们的网站加入收藏夹吧！：www.concordcrop.org
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
